The Imposters – Review
From the opening scenes of The Imposters, you’re immediately intrigued.
The story centres on Maya (Marie Everett), a seemingly reserved tutor who’s relationship with Anna (Tegan Mordt) is rocky to say the least, and seems quite psychologically abusive. Anna walks out and then Maya has a chance encounter with Hattie (Chynna Walker) and sparks a romance. At first, their connection feels genuine, even sweet, but there’s a lingering sense of foreboding as Hattie’s behaviour becomes increasingly odd.
Marie Everett delivers a standout performance, portraying Maya with a vulnerability that makes her past seem like it’s haunting her, and effecting her mental health. Chynna Walker’s Hattie is equally brilliant, oscillating between charming and chilling with unnerving ease. Their on-screen chemistry makes their relationship feel perfectly plausible.
Visually, the film leans heavily on moody lighting and claustrophobic framing and is shot beautifully.
The Imposters layers its surprises, each one reshaping your perception of the story. By the time the credits roll, you’ll be left satisfied with a climax that you may have seen coming, but still had that will they, won’t they moment.
That said, the film isn’t without its flaws. A subplot involving Maya’s professional life feels underdeveloped, the pacing in the second act dips ever so slightly and the overall story doesn’t really feel right somehow with an ending that seems a little left field and doesn’t quite fit. However, these are minor quibbles in an otherwise engrossing experience.
The Imposters is an impressive psychological thriller with a strong cast, gorgeous cinematography and an engrossing storyline. It’s available now on digital from Reel 2 Reel Films
